33rd

“Reel” Latin America(n)

Film Festival · 2026

EN ES

FOR EDUCATORS

Curriculum integration is at the heart of this festival. From October 8 to November 6, 2026, each of this year's five films screens twice: Thursdays at 5:30 pm in the Floyd Theater and Fridays at 12:00 pm in 104W Ekstrom Library. All screenings are free and open to the public.

Below, for each film: screening dates, a downloadable study guide, discussion questions, related curriculum tags (from Pragda's subject categorization), the film's language, and any content note we have on file. The films offer material for courses in Spanish, Latin American and Latino Studies, film, sociology, political science, and beyond.

Bringing a class

If you're planning to bring a class to a screening, let us know in advance (course name, section, and approximate headcount) via the Contact page.

Attendance: festival staff take attendance at the door -- you don't need to bring or submit a roster yourself.

📚 Film-by-Film Guide

Poster: A Wolf Among Swans

A Wolf Among Swans

Marcos Schechtman and Helena Varvaki · Brazil · 2025 · 112 min
  • 📅 Thursday, October 8 · 5:30 pm · Floyd Theater
    Presenter: Dr. Manuel F. Medina, Classical and Modern Languages / Latin American and Latino Studies
  • 📅 Friday, November 6 · 12:00 pm · 104W Ekstrom Library
    Presenter: Dr. Ibis Sierra Audivert, Classical and Modern Languages
📄 Study guide (PDF) ↗
In Portuguese with English subtitles
⚠ Content note: Brief nudity, implied sexual content, some coarse language, scenes of physical injury (competitive dance context)
Not officially rated; comparable to PG-13.
Afro-Latin StudiesDance, Music & Performing ArtsEconomics & Social Class IssuesGender & Sexuality StudiesRace & EthnicitySociology
Discussion questions:
  1. How does Thiago's journey complicate assumptions about who "belongs" in classical ballet?
  2. What role does mentorship -- and its power imbalances -- play in Thiago's transformation?
  3. How does the film use ballet as a lens for social and economic mobility?

Full synopsis  ·  Educator resources at Pragda ↗

Poster: Artificial Justice

Artificial Justice

Simón Casal · Spain · 2024 · 98 min
  • 📅 Friday, October 23 · 12:00 pm · 104W Ekstrom Library
    Presenter: Diana Wilder, Interdisciplinary and Public Humanities
  • 📅 Thursday, October 29 · 5:30 pm · Floyd Theater
📄 Study guide (PDF) ↗
In Spanish with English subtitles
⚠ Content note: Moderate violence, some bloody images, adult political/thriller themes
Not officially rated; comparable to R.
ActivismCriminal JusticeEconomics & Social Class IssuesHuman RightsPolitical ScienceScience & TechnologySociology
Discussion questions:
  1. What are the risks and appeals of removing human judgment from judicial decisions?
  2. How does the film dramatize the tension between efficiency and accountability?
  3. Who benefits from centralizing power in AI systems, according to the film?

Full synopsis  ·  Educator resources at Pragda ↗

Poster: ASCO: Without Permission

ASCO: Without Permission

Travis Gutiérrez Senger · USA · 2025 · 92 min
  • 📅 Thursday, October 15 · 5:30 pm · Floyd Theater
    Presenter: Dr. Christine Ehrick, History
  • 📅 Friday, October 30 · 12:00 pm · 104W Ekstrom Library
    Presenter: Dr. Simona Bertacco, Interdisciplinary and Public Humanities
📄 Study guide (PDF) ↗
In English and Spanish with English subtitles
⚠ Content note: Mature themes; avant-garde performance art and 1970s activism content
Not officially rated; comparable to R.
ActivismBiographyCinema & Media StudiesCulture & IdentityDance, Music & Performing ArtsLatinxSociologyVisual Arts
Discussion questions:
  1. How did ASCO's tactics respond to exclusion from mainstream museums, Hollywood, and media?
  2. What does the film suggest about the relationship between activism and art-making?
  3. How does blending documentary and fiction shape our understanding of ASCO's legacy?

Full synopsis  ·  Educator resources at Pragda ↗

Poster: Pérez Rodríguez

Pérez Rodríguez

Humberto Tavárez · Dominican Republic · 2024 · 103 min
  • 📅 Friday, October 16 · 12:00 pm · 104W Ekstrom Library
    Presenter: Dr. Tomás Edison, Classical and Modern Languages
  • 📅 Thursday, October 22 · 5:30 pm · Floyd Theater
    Presenter: Dr. Clare Sullivan, Classical and Modern Languages
📄 Study guide (PDF) ↗
In Spanish with English subtitles
⚠ Content note: Adult themes and language; dark comedic treatment of family conflict and inheritance disputes
Not officially rated; comparable to R.
Central America & The CaribbeanCinema & Media StudiesCulture & IdentityEconomics & Social Class IssuesFamilyGender & Sexuality StudiesImmigration & ExileLatin American StudiesMental HealthRace & EthnicitySociology
Discussion questions:
  1. How does the film use dark comedy to examine family hypocrisy and class aspiration?
  2. What does the sudden appearance of a half-brother reveal about legitimacy and inheritance?
  3. In what ways is the story "profoundly Dominican" while also engaging universal themes?

Full synopsis  ·  Educator resources at Pragda ↗

Poster: Zafari

Zafari

Mariana Rondón · Brazil, Mexico, Peru, Venezuela · 2024 · 100 min
  • 📅 Friday, October 9 · 12:00 pm · 104W Ekstrom Library
    Presenter: Dr. Tricia Gray, Political Science
  • 📅 Thursday, November 5 · 5:30 pm · Floyd Theater
    Presenter: Walter Rodríguez, Interdisciplinary and Public Humanities
📄 Study guide (PDF) ↗
In Spanish with English subtitles
⚠ Content note: Sexual content, nudity, strong language, mild violent/feral behavior, themes of poverty and societal collapse
Not officially rated; comparable to R.
Economics & Social Class IssuesFamilyImmigration & ExileLatin American StudiesMental HealthSociologySouth America
Discussion questions:
  1. How does the film use allegory (the hippopotamus) to comment on inequality?
  2. What does the family's moral unraveling suggest about survival under scarcity?
  3. How does Zafari connect to broader patterns of economic crisis in Latin America?

Full synopsis  ·  Educator resources at Pragda ↗

✏️ Activity Ideas

Before the screening: have students briefly research the historical or social context of the film's country of origin, using the curriculum tags above as a starting point.

After the screening: run a small-group discussion using the questions above, followed by a short written reflection connecting the film to your course themes.

These are starting-point suggestions -- if you have activities of your own you'd like included here, get in touch.